The Atlantic: The 5 Trump Amendments to the Constitution

 The surprising aspect of this conclusion is not that the Constitution can be informally amended. That has been the usual way of making revisions. In 1803, the Supreme Court granted itself the power to review laws and overturn them. In 1824, the states tied the electoral vote to the popular vote. Neither of those changes was inscribed on parchment or envisioned by the Founders, but today we can’t imagine our constitutional system without them.

Presidents have been the authors of many informal amendments. George Washington set enduring precedents such as the two-term limit on presidential service (a norm so embedded that after Franklin D. Roosevelt broke it, it was written into the formal Constitution). Andrew Jackson reimagined the president as the direct representative of the people. Abraham Lincoln ruled out secession. [...]

The impeachment mechanism was intended to be a check on presidential misbehavior; instead, post-Trump, it is now more like a partisan permission slip, allowing presidents to do as they please provided they keep their party in line. In other words, from now on, presidents should assume that the way to hold on to power is to stay not on the right side of the law but on the right side of their party. To put it mildly, that is not what the Founders intended. [...]

The president has his own superpower: unconstrained, unlimited authority to pardon and commute federal crimes. In recent years, presidents, fearing political blowback if a pardoned criminal were to commit another crime, have become more and more parsimonious in their use of pardons to correct even blatant injustices. That’s a loss for the justice system. Some presidents made fishy-looking pardons, but underuse of pardons became a much bigger problem than their overuse.

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The New Yorker: A Pennsylvania Lawmaker and the Resurgence of Christian Nationalism

 Throughout U.S. history, a combination of Christianity and patriotism often served as a rallying cry against a common enemy. Following the Second World War, many Christians came to believe, as Mastriano did, that the battle against communism was a religious struggle, in part as a result of the Soviet Union’s massacres of clergy members. President Dwight Eisenhower encouraged the pastor Billy Graham to stoke this fervor. Matthew Avery Sutton, a professor of history at Washington State University, told me, “From President Truman to Ronald Reagan, American Presidents allied with the Vatican and orthodox Christian leaders to frame the crusade against communism and atheism in hyper-religious terms.”[...]

The election of Donald Trump intensified certain strains of Christian nationalism. He fanned fears of pluralism with Islamophobic and anti-immigrant rhetoric. He often invoked Christianity, albeit in terms that were largely about ethnic identity rather than faith. “The greatest ethnic dog whistle the right has ever come up with is ‘Christian,’ because it means ‘people like us,’ it means white,” Samuel Perry, a sociologist at the University of Oklahoma and co-author of “Taking America Back For God,” told me. In 2019, Trump hosted Viktor Orbán, Hungary’s right-wing Prime Minister, at the White House, and praised him for building a border fence to keep immigrants out, saying, “You have been great with respect to Christian communities. You have really put a block up, and we appreciate that very much.”

Those who espouse Christian-nationalist ideas also appeared to grow more militant during this period. In the early years of Trump’s term, membership in white-supremacist militias grew rapidly, but the backlash to the Charlottesville rally, in 2017, proved damaging. “Since then, there has been a major shift among far-right groups, white nationalists, and militias toward espousing Christian nationalism, much like the Ku Klux Klan did,” Alexander Reid Ross, a geography lecturer at Portland State University, said. Beginning in 2018, white supremacists donned suits and appeared at conferences held by the N.A.R. and similar groups. “The tactic has been to use Christian nationalism to cool down the idea of fascism without losing the fascism,” Ross said. For example, after the white-nationalist organization Identity Evropa was dissolved, a former leader aligned himself with America First, a movement to make America a “white Christian nation.” (America First was one of the most prominent groups at the Capitol insurrection.)[...]

Many who hold Christian-nationalist beliefs think that God’s will should determine America’s course. “Christian nationalists take the view that because America is a ‘Christian nation,’ any party or leader who isn’t Christian in the ‘right’ way, or who fails to conform to their agenda, is illegitimate,” Katherine Stewart, the author of “The Power Worshippers,” told me. “Legitimacy derives not from elections or any democratic process but from representing an alleged fidelity to their version of the American past and what they believe is the will of God.” As a result, overthrowing an election, if it seems to have subverted God’s will, would be justified. “That kind of anti-democratic ideology made it very easy for these radicals to imagine they were being patriotic, even while they were attacking the most basic institutions of democracy: the U.S. Congress and the election process.”

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CityLab: When Monuments Go Bad

The centennial monument and 40 others are now under the equally critical gaze of the Chicago Monuments Project, an advisory committee of civic leaders, artists, designers, academics, and culture workers (including X) tasked with re-evaluating how the city handles its stock of monuments (which Schneider says he supports). The city formed the committee in the wake of the uprisings against racist police violence in July 2020. During a demonstration at Grant Park against a monument to Christopher Columbus, police assaulted journalists and activists; within days, Mayor Lori Lightfoot had statues of Columbus in Grant Park and Little Italy removed “temporarily.” To come up with long-term policies for monumentalization, the advisory committee began meeting in September and tentatively hope to release a set of recommendations by late June. [...]

No other American city has opened up this sort of wide-ranging dialogue about how cities make monuments. Swept up in this inquiry are five statues of Abraham Lincoln, as well as monuments to George Washington, Ulysses S. Grant, and the Italian Fascist Italo Balbo. The 41 items under discussion are just a small percentage of the hundreds of monuments in the city, but committee co-chair Bonnie McDonald, president of Landmarks Illinois, says the work of the committee is just a start. She’s asking for public participation on how current memorials should be handled, as well an in the commissioning of new monuments. [...]

The Chicago Torture Justice Memorials (CTJM) Project arranged several exhibitions calling for public input, uniting survivors, activists and South Side residents through a radically democratic process. “That process of stepping back and inviting everyone to contribute their creativity, their imagination, the desire to work for justice really opened up a process,” says Joey Mogul, CTJM co-founder. “It invited different members of the public beyond lawyers, legal workers and organizers.” The task for CTJM is to communicate “the horror and the pain and the generational trauma that occurred, while also [making] sure we acknowledge people’s agency and resistance,” says Mogul.

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The Guardian: How the US created a world of endless war

 Obama had run as a kind of anti-war candidate in his fairytale 2008 campaign, and when it turned out that he was a hard-bitten pragmatist, in this and other areas, many of his supporters were surprised. Obama expanded the “war on terror” to an awesome extent, while making it sustainable for a domestic audience in a way his predecessor never did – in part because Obama understood the political uses of transforming American warfare in a humane direction. [...]

No dove, Donald Trump nevertheless capitalised on the perception that mainstream politicians were committed to endless wars. And he won. The arc of the moral universe ran through the humanisation of interminable conflict. But it bent toward an ogre. More and more humane forms of fighting abroad had now brought disaster at home, too. Then Trump went on to repeat the very same pirouette from anti-war candidate to endless war president that Obama had performed. And now Joe Biden risks doing the same.[...]

By the end of Obama’s time in office, drones had struck almost 10 times more than under his predecessor’s watch, with many thousands dead. The air force now trained more drone operators than aircraft pilots, and the bases and infrastructure of drone activity had been extended deep into the African continent, not merely across the Middle East and south Asia. Meanwhile, light-footprint Special Forces operated in or moved through 138 nations – or 70% of all countries in the world – in Obama’s last year in office. Actual fighting took place in at least 13, and targeted killing in some of those. [...]

But a funny thing happened on the way to the feared restoration of brutal older forms of war that Trump personally favoured. The executive order to reinstitute torture was never issued, in part because secretary of defense James Mattis found torture unconscionable. And Trump’s proposals were met by the howls of leading Republicans, such as Senate majority leader Mitch McConnell. The CIA itself pushed back, reflecting a period of institutional self-correction parallel to the one the military had undergone after Vietnam – even if neither held anyone accountable for past crime.

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National Public Radio: California City

 Deep in the Mojave Desert, there is a little town with a big name and a bizarre history: California City. For decades, real estate developers have sold a dream here: if you buy land now, you'll be rich one day. Thousands of people bought this dream. Many were young couples and hard-working immigrants looking to build a better future. But much of the land they bought is nearly worthless. In this new podcast from LAist Studios, host Emily Guerin tells a story of money, power and deception.

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Wendover Productions: The Logistics of Evacuating Afghanistan

Longreads: Deconstructing Disney: Queer Coding and Masculinity in Pocahontas

 Disney often codes their villains as queer: This is widely known and accepted. First noticed by scholars during the Disney Renaissance of the late ‘80s through the ‘90s, critical observations about characters like Scar (The Lion King) have since disseminated into pithy, viral tweets and TikToks. A quick Google search of “gay Disney villains” will turn up dozens of articles, all repeating the same litany of facts: That The Little Mermaid’s Ursula is based on the iconic drag queen Divine, that Hollywood often uses British accents and effeminate mannerisms in men like Robin Hood’s King John to signal moral decrepitude.[...]

Pocahontas has one of the top-five highest-grossing Disney soundtracks of all time, but that’s generally where any lingering nostalgia dies. To say that the film itself is problematic is an understatement. While the screenshot of Chief Powhatan, Pocahontas’ father, saying “these white men are dangerous” has found a rich afterlife on social media, the film’s historical inaccuracy and deliberate whitewashing of colonization and its aftermath have cycled it out of many a millennial’s “comfort film” rotation, something that has generally gone unaddressed by the corporation. (The fact that Mel Gibson voiced John Smith hasn’t helped, either.) [...]

Ironically, even the most chaotic queer-coded villains are rarely bent on creating their own power structures — they only ever desire the kingdom and, seemingly, the lives of their straight-coded, heroic counterparts. Jafar wants to be sultan, but has no conception of what to do with that power once obtained, to the point he cannot strategize enough to realize that the genie is beholden to others. Scar believes himself to be the rightful ruler of the Pride Lands, only to drive the kingdom into a barren wasteland: The queer failure of reproduction, on which society so purportedly rests, made manifest. “Fuck the social order and the child in whose name we’re collectively terrorized,” queer theorist Lee Edelman writes in No Future — the anthem of Disney villains everywhere. [...]

Colonizing isn’t worthy of punishment in this film, nor is racism, otherwise every white character — John Smith included — would be in chains. The reality is that Ratcliffe is punished for failing to assimilate within the crew successfully, for not embodying the right kind of masculinity, for not reading the room, and attacking the much-respected cowboy-esque leader who the men ultimately mutiny for. This is his crime: not trying to assassinate Chief Powhatan, but wounding one of his own. Meanwhile, Thomas, a colonizer who explicitly murders an Indigenous warrior, Kocoum, is given … a redemption arc, complete with Pocahontas’ forgiveness.

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CityLab: More Americans Are Leaving Cities, But Don’t Call It an Urban Exodus

 A year into the Covid-19 pandemic, after much speculation about emptied downtowns and the prospect of remote work, the clearest picture yet is emerging about how people moved. There is no urban exodus; perhaps it’s more of an urban shuffle. Despite talk of mass moves to Florida and Texas, data shows most people who did move stayed close to where they came from—although Sun Belt regions that were popular even before the pandemic did see gains.

Across the U.S., the number of people making moves that they defined as permanent was up a modest 3% between March 2020 and February 2021. Even with that increase, national migration rates are likely still at historic lows. But zoom in to a few of America’s densest and most expensive metro regions and the picture is more dramatic, with the percentage increase in moves well into the double digits.

Those Americans who did move accelerated a trend that predates the pandemic: Dense core counties of major U.S. metro areas saw a net decrease in flow into the city, while other suburbs and some smaller cities saw net gains. In other words, people moved outward. Outward to the suburbs of their own core metro area, but also farther out, to satellite cities or even other major urban centers that might still give people proximity to their region. As CityLab contributor Richard Florida has noted, the pandemic compressed into a matter of months moves that might have happened in the next few years anyway. [...]

Even for people who said their moves were permanent, wealth was the dominant explanation for the jump in moves in New York City’s five boroughs. While people across incomes continued to move around as they had before the pandemic, it was higher-income zip codes that saw a sharp change in movement at the height of the pandemic.

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The Red Line: Pakistan's Two Front War

 When Obama left the White House he stated that the thing that kept him up at night more than anything else was the potential for Pakistan and India to stumble into an unplanned nuclear exchange. What was once a regional conflict has now drawn in a number of great powers such as China, and the US, but no side yet has a real plan to try to avert the risk of this simmering conflict going nuclear. The estimate is that in the event of an Indian invasion toward Islamabad the Pakistani command may only have around 6 hours to either "use or lose" their nuclear weapons, so we ask our panel what the likely outcome will be for this nightmare scenario. On the panel this week. Ayesha Jalal (Tufts University) Adam Weinstein (Foreign Policy) Andrew Small (George Marshall Fund) For more information please visit - www.theredlinepodcast.com Follow the show on @TheRedLinePod Follow Michael on @MikeHilliardAus

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The Red Line: Iraq: What Went Wrong?

 For a number of years Iraq has been spiraling, with worsening insurgencies, sectarian violence and numerous regional players all treating Iraq like a political battleground. How did we get here though? What was the decision made to bring Iraq to the point we stand at now, and will decisions coming up better or worsen the situation? On the panel this week. JAMES LEBOVIC (George Washington University) DIYAR AMEEN (Kurdistan Mission to the EU) JOSEPH VOTEL (Rtr 4-Star US General) For more info please visit - www.theredlinepodcast.com Follow the show on @TheRedLinePod Follow Michael on @MikeHilliardAus

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City Beautiful: Why did railroad companies mass produce cities?

 Railroads founded hundreds of nearly identical towns in the American west. Why?

The Guardian – Politics Weekly Extra: The hypocrisy of the Christian right

 Amidst allegations central to the Matt Gaetz scandal, Jonathan Freedland speaks to Peter Wehner of the Ethics and Public Policy Center. They discuss the decades-old pattern of prominent Christian political leaders and commentators, who forgive allies for the same transgressions for which they harshly judge their opponents.

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The New Yorker: Inside the U.S. Army’s Warehouse Full of Nazi Art

 Much of Nazi propaganda was ephemeral: posters and flyers, designed to be mass-produced and spread quickly. The paintings stored on high metal racks in Fort Belvoir’s warehouse were part of a different project, meant to give the Reich’s predations a patina of high culture. One of the best-known works is “The Flag Bearer,” painted by Hubert Lanzinger a year after Hitler came to power. It depicts the Führer astride a black horse, clad in shining armor and carrying a Nazi flag. “It’s Hitler as a Teutonic knight,” Sarah Forgey, the Army’s chief art curator, told me, standing before the painting. “It’s showing there’s a connection between the Third Reich and Germany’s feudal past.” [...]

All propaganda is meant to obscure the truth, but two paintings inadvertently highlight the decline of the Nazi project. The first, “Hitler at the Front,” was painted by Emil Scheibe in 1942, about a year after Hitler launched his titanic, megalomaniacal invasion of the Soviet Union. It shows a buoyant Führer surrounded by a throng of German soldiers—young, well-scrubbed Aryans gazing at him in adoration. The second work—“East Front Fighters,” by Wilhelm Sauter—was painted two years later, when the Nazis were being rolled back by the Soviet Army. The soldiers in this canvas are exhausted and battered, if still unbowed. The message to Germans is clear: The war is tougher than we thought, but our soldiers are indomitable. Not long afterward, Hitler killed himself, and the Nazi regime imploded.[...]

Among the hundreds of pieces at Fort Belvoir, the most curious are four watercolors by Hitler. During the First World War, when he served as a foot soldier, he carried paper and often spent free moments drawing—the remnants of an early dream of succeeding as an artist. As a young man, Hitler was twice rejected for admission to the Academy of Fine Arts Vienna, and the works at Fort Belvoir make it easy to see why. The draftsmanship is painstaking but stolid, without personal vision or lightness of touch. Most of the pieces are nostalgic street scenes, like something that might hang in a dentist’s office—except that the streets are eerily devoid of people. “Hitler couldn’t paint the human form,” Forgey said. One of the works—“Railway Embankment,” a brown-toned, faintly Impressionist work from 1917—depicts two human beings, but they are little more than dark blurs. Over the years, the Army has lent pieces from the collection to museums, but curators don’t ask for the Hitler watercolors. “They are only interesting because of who produced them,” Forgey said.

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Vox: How museum gift shops decide what to sell

 Gift shops are like the final exhibit of an art museum. They’re often located toward the exit and are unmissable on your way out the door. Souvenirs inside can range from Vincent Van Gogh socks to giant stuffed soup cans to Mona Lisa rubber ducks. But how do gift shop curators decide what to sell?

Stocking decisions often revolve around how curators want visitors to perceive the art lining museum walls. When you see a certain piece of art on a lot of merchandise, that usually means curators think that artwork is important. And thanks to a psychological phenomenon called the mere-exposure effect, the more you see that art, the more you begin to think it’s important.

Infectious Historians: HIV/AIDS: Patient Zero, History, and Popular Culture with Richard McKay

 Richard McKay (University of Cambridge) talks to Merle and Lee about his work on the history of the HIV/AIDS epidemic, with a particular focus on Patient Zero and the history of the disease. After speaking about the problematic idea of the term Patient Zero, including its chance development, he discusses the early history of the epidemic and its popularization in broader public culture. He then turns to how these public perceptions of HIV/AIDS, and Covid, shape policy responses to disease along with some possible ways forward for historians to engage in public work in the future.

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BBC4 Analysis: Magic Weapons

 There used to be a romantic notion of globalisation that all countries would simply have to get along as we were all so interconnected. Why fight when your interests are aligned? It’s an idea that has made direct military engagement less likely. But something very different has emerged in its place.

We live in a new era of conflict, where states try to achieve their aims through aggressive measures that stay below the threshold of war. This is a strategy of statecraft with a long history, but which has a new inflection in our technologically charged, globalised world.

Now a mix of cyber, corruption and disinformation is employed to mess with adversaries. China’s president, Xi Jinping, has referred to political influence activities as being one of the Chinese Communist Party's 'magic weapons'.

In this edition of Analysis, Peter Pomerantsev looks at how political warfare works in a world where we’re all economically entangled - and what Britain could and should do to adapt.

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Kings and Things: America's Lost Classical Architecture

Despite being a relatively young nation, the United States of America has a wealth of great classical architecture. Some of these masterpieces have unfortunately been lost however, either due to natural disasters, or by being demolished. In this video, we will look at four such buildings. 

History Of Ideas — Talking Politics: Douglass on Slavery

 My Bondage and My Freedom’ by the former slave Frederick Douglass was the second of his three autobiographies and the one that contained his most radical ideas. In this episode David explores how Douglass used his life story not only to expose the horror of slavery but to champion a new approach to abolishing it. The name for this approach: politics.

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The Red Line: Could China Conquer Taiwan?

 Xi has thrown down the gauntlet and stated that Taiwan will return to the Peoples Republic of China by 2049, whether Taiwan wants it or not. So now a countdown timer has started, and Taiwan scrambles to prepare for what Beijing may throw at it. Should they build a large navy? Should they try and push the Chinese back into sea fighting on the beaches? Should the Taiwanese retreat to the jungles and fight a bloody insurgency from there? We ask our expert panel what strategy Taiwan is likely to take, and whether or not it is likely to be effective against the entire PLA. This weeks panel Eric Gomez (CATO Institute) Sheena Chestnut Greitens (University of Texas) Robert D Kaplan (Geopolitics Author) More info at - www.theredlinepodcast.com Follow the show on @TheRedLinePod Follow Michael on @MikeHilliardAus

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WorldAffairs: How White Supremacy Fueled the Attack on the Capitol

 For months, the domestic terrorist attack on the US Capitol was planned in plain sight on social media. So why weren’t we ready for it? This week, former FBI special agent Michael German explains why the bureau deprioritized the threat posed by white supremacists… and why the Department of Homeland Security says they pose “the most persistent and lethal threat to the homeland.” Then, historian Nell Irvin Painter breaks down how a legacy of racism in the United States brought us to this moment. Can we change our trajectory? She argues that the Black Lives Matter Movement of 2020 could bring lasting, positive change to this country.

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