No country could possibly feel more like "the edge of the known world" than the Central Asian republic of Tajikistan. A nation where the president has been in power since '92 and has ruled the country with an iron fist, amassing a huge amount of wealth for himself using everything from Aluminum to Heroine; but things are beginning to change and Dushanbe could very soon be answering to new masters. Tajikistan is the latest battleground between Beijing and Moscow, the winner of which is yet to be decided. This weeks panel Peter Leonard (Eurasianet) John Heathershaw (Exeter University) Edward Lemon (Oxus Society) Mathieu Boulegue (Chatham House) Follow the show on @TheRedLinePod Or follow Michael on @MikeHilliardAus More info at - www.theredlinepodcast.com Support the show at - https://www.patreon.com/theredlinepodcast
19 January 2021
BBC4 Thinking Allowed: Disinformation
Laurie Taylor talks to Annie Kelly, a researcher of the Digital Far Right, about the QAnon conspiracy theory and why it has attracted a striking number of female followers, many of whom are mothers. She argues that their rhetoric and slogans have cleverly smuggled legitimate concerns about the welfare of children into a baseless and dangerous set of entirely false claims about the nature of child trafficking. What role have social media sites dominated by women played in the circulation of QAnon theories and how can they be challenged?
Also, Nina Jankowitz, Global Disinformation Fellow at the Woodrow Wilson International Centre for Scholars, examines Russia’s role in the spread of disinformation, not only in the USA but also in Eastern and Central Europe. What lessons can be learned from these experiences? She argues that the best types of disinformation are able to amplify and exploit the already existing divisions in society, including racism and inequality in the US context.
Ministry Of Ideas: Progressive Souls
Religious people have played an important role in progressive politics in the US for its entire history. Contemporary leftists should look to build bridges and include religious voices in the pursuit of a more just and sustainable society.
Vox: India's huge farmer protests, explained
In November 2020, thousands of farmers marched from the northern states of India to Delhi to protest farming reforms passed by Prime Minister Modi’s government. Those protests have continued throughout the month of December and show little sign of letting up. The farmers have set up camp in and around the capital city to pressure the government to repeal the laws, but the government won’t budge.
The government says these new laws will modernize farming by liberalizing the industry, but India’s farmers say it will be their downfall. Under these new policies, farmers will have fewer government protections and will likely lose the government-regulated markets and prices they have relied on for decades.
To make matters even more difficult, all this is happening as India’s farmers grapple with a shrinking share of the economy that has contributed to a suicide crisis around the country.
To understand the three farming reforms and why they have driven so many farmers into the streets, as well as the history behind the problems farmers have been facing for decades, watch the video above.
UnHerd: Why architecture is political
Architecture is an inherently political act, which is precisely why it is so contested. It is the grandest and most permanent marker of a civilisation, and the clearest and most dramatic expression of a society’s relationship to power. Consider, on the one hand, Trump’s executive order, one of the last of his administration, mandating neoclassicism as the house architectural style of the US federal government; on the other hand, see the New Statesman’s neurotic fear of classical architecture as a form of fascism wrought in stone. Architecture is not just the expression of our positive political values, but also of the pathologies and debilitating culture wars enfeebling our civilisation. [...]
Yet leading up to the Acropolis, winding its way around the ancient hills of Athens, was an alternative vision of modernity, neglected, under-appreciated but far better suited to our current political moment. In the middle of the 20th century, the Greek architect Dimitris Pikionis was tasked with replacing the ugly asphalt road that led to the Acropolis. Hiring provincial stonemasons, accustomed to working in a vernacular style, and using as his materials marble blocks from 19th century buildings recently levelled to create the concrete cityscape of modern Athens, Pikionis fused his aesthetic interest in Modernist art with his appreciation of the old, the worn and characterful. [...]
Yet Critical Regionalism, as outlined by Frampton, is not a retreat into the vernacular, which he expressly warns against as lazily reactionary, and carrying within it the incipient threat of totalitarianism. Frampton cautions against the “demagogic tendencies of Populism” in architecture, “the simple-minded attempts to revive the hypothetical forms of a lost vernacular.” Instead, he argues, the task for architects is to achieve a “self-conscious synthesis between universal civilisation and world culture.”
In practice, this means marrying the best of the vernacular tradition — a sensitive appreciation of place, climate and culture, the tactility and warmth of natural materials, a rootedness in the specifics of the local and a suspicion of the bland totalitarianism of modernism — with an awareness that we cannot undo the Modernist moment; we are moderns, and any attempt to undo this basic fact will result only in a feeble and debilitating pastiche. [...]
Critical Regionalism is inherently post-liberal in its vision of the good; it is open to the world, not narrow and exclusive, yet rooted in the specifics of place and culture. Instead of defining itself by what it is not, and locking itself into a futile and mutually destructive cycle of opposition to liberalism, perhaps post-liberalism can be profitably reimagined as a form of political Critical Regionalism: alive and responsive to the values of community, tradition and localism, yet at the same time willing to take what is good from liberalism, what is genuinely superior to what came before it, and to reshape it to its own ends.
CNN: Inside Europe's stunning abandoned churches
Across Europe, hundreds of churches that were once filled with worship and song are now at the mercy of the elements. With religion's role declining sharply around the continent in recent decades, the most promising outcome for many of these centuries-old structures is being reincarnated as residential or commercial properties.
Hoping to capture their faded splendor before it's too late, French photographer Francis Meslet has spent almost a decade documenting abandoned churches, chapels and priories in varying states of disrepair. His stunning images show dilapidated pipe organs, overgrown cloisters, long-empty pews and sunlight pouring into naves strewn with dust and rubble. [...]
Featuring images shot across France, Belgium, Germany, Italy and Portugal, his new book, "Abandoned Churches: Unclaimed Places of Worship," offers an eerie tribute to a building type he describes as "very special in the history of architecture and the history of men." Meslet, who once wanted to be architect, has a sharp eye for structural symmetry, with his collection spanning styles from gothic to neoclassical.
UnHerd: What did the Habsburgs do for us?
For Rady the unquestionable key to the dynasty’s might was its mystique. It was imbued with an aura of sacral legitimacy which not only held the loyalty of subjects but imbued the family’s members with a driving sense of vocation: “they conceived of their power as both something they had been predestined for and part of the divine order in which the world was arranged.” The self-concept was manifested through intense Eucharistic and Marian piety — well beyond that of other royal households. [...]
For contemporaries, their own lived experience was different. Presentations of the royal house in popular literature had a sense of “sacred drama” about them. The personal sorrows of Franz Joseph, who lost both wife and son before their time, together with the burdens of ruling “were likened to Christ’s Crown of Thorns, confirming the emperor as not only the ruler of peoples but also their redeemer.”
Ethnic fragmentation was contained because the emperor “became the almost exclusive focus of loyalty and symbol of an idea that transcended nation.” Unlike in today’s culture war and Brexit battles, national-separatist ambitions were more pronounced among the intelligentsia than urban-worker and rural-labourer population bases. [...]
Maybe Franz Joseph was influenced by the late medieval chroniclers who constructed elaborate lineages linking the Habsburgs back to the Kings of the Old Testament and even to Noah. Certainly, the very real affection the Empire’s Jews felt towards him is attested to in surviving silver Torah scroll holders, capped with the Habsburg double-eagle, produced in significant numbers during his reign.