Nancy Isenberg’s book “White Trash” begins by looking at the characters in “To Kill a Mockingbird.” Both the book and the movie play with the divide between Atticus Finch, who is saintly and proper, and the poor white family, the Ewells, whose daughter’s false rape accusation is at the story’s center, as an example that there are two kinds of white people in the South. The book has been on Isenberg’s curriculum for 15 years, as part of a history class called “Crime, Conspiracy, and Courtroom Dramas,” which she teaches at Louisiana State University. [...]
I became interested in figuring out the language: how do Americans talk about the poor? And then I realized that this is connected to the larger problem Americans have about class, that they believe a myth. We are told over and over again by writers, sometimes journalists, but mainly politicians, that we are an exceptional country, that we embrace the American dream. And what’s that rooted to this idea that we believe in social mobility. And we think that that idea, that promise, goes all the way back to the American revolution, that at that moment we broke free from the British system and that somehow we unburdened ourselves from the English class system. Now this is a problem that Americans have – they often prefer the myth over reality. [...]
One of the other really strange things that I think we’ve forgotten about the way in which race and class get intertwined. If you look at the embrace of social Darwininsm and evolutionary theory, and again this is building on the old ideas of animal husbandry, that you can breed people the way you breed dogs, there is the idea that poor whites are evolutionarily backward, they are unevolved people. And this particularly gets attached to those who live in Appalachia, the hillbilly. At the end of the 19th century there’s an attempt to recover these people as a kind of purer Anglo Saxon, that they have been protected from being corrupted. But the dominant theme is that they have not evolved at all.