14 June 2017

The New York Review of Books: Britain: The End of a Fantasy

Theresa May is a classic phony Brexiter. She didn’t support it in last year’s referendum and there is no reason to think that, in private, she has ever changed her mind. But she saw that the path to power led toward the cliff edge, from which Britain will take its leap into an unknown future entirely outside the European Union. Her strategy was one of appeasement—of the nationalist zealots in her own party, of the voters who had backed the hard-right UK Independence Party (UKIP), and of the hysterically jingoistic Tory press, especially The Daily Mail. [...]

This is why May called an election. Her decision to do so—when she had a working majority in parliament—has been seen by some as pure vanity. But it was the inevitable result of the volkish rhetoric she had adopted. A working majority was not enough—the unified people must have a unified parliament and a single, uncontested leader: one people, one parliament, one Queen Theresa to stand on the cliffs of Dover and shake her spear of sovereignty at the damn continentals. [...]

There were three problems. Firstly, May demanded her enormous majority so that she could ride out into the Brexit battle without having to worry about mutterings in the ranks behind her. But she has no clue what the battle is supposed to be for. Because May doesn’t actually believe in Brexit, she’s improvising a way forward very roughly sketched out by other people. She’s a terrible actor mouthing a script in which there is no plot and no credible ending that is not an anti-climax. Brexit is a back-of-the-envelope proposition. Strip away the post-imperial make-believe and the Little England nostalgia, and there’s almost nothing there, no clear sense of how a middling European country with little native industry can hope to thrive by cutting itself off from its biggest trading partner and most important political alliance.


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