27 July 2020

99 Percent Invisible: Return of the Yokai

In the US, mascots are used to pump up crowds at sporting events, or for traumatizing generations of children at Chuck E. Cheese, but in Japan it’s different. There are mascots for towns, aquariums, dentists’ offices, even prisons. There are mascots in cities that tell people not to litter or remind them to be quiet on the train. Everything has a mascot and anything can be a mascot. As Chris Carlier adjusted to his new life in Tokyo, he started snapping photos of all these mascots he was coming across, and Carlier’s hobby has since morphed into a wildly popular twitter account called Mondo Mascots.

Usually, these costumed mascots are out interacting with the world, waving to tourists or opening supermarkets — but like the rest of us, they’ve recently had to spend a lot of time indoors. One mascot was making quarantine workout videos for people stuck at home; another posted photo after photo of himself just staring blankly into space. Around mid-March, there was something kind of odd and very meta happening on the Mondo Mascots twitter feed. Some of the more well-known mascots were adding all these new flourishes on top of the regular mascot costumes. They were all wearing long, flowing blue wigs, colorful fish scales, and a beak. It was like all these different mascots were channeling the same mythical character. It was a mythical character called Amabié: a 174-year-old creature that has recently become the unexpected hero of the COVID era in Japan. [...]

The first yokai stories were told in the 8th century, but you can see the traces of yokai that stem thousands of years back to Japan’s native religion of Shintoism. Shinto is so tightly woven into the fabric of Japanese society that it’s difficult to separate where the religion ends and Japanese culture begins. “Modern-day Japanese people [don’t] realize Shinto is our culture’s basis,” explains Izumi Hasegawa, head priest at Shinto Shrine of Shusse Inari in America. For Hasegawa, it is in fact “not a religion” but rather “more like a way of living — culture, tradition, custom,” a belief system that venerates millions of deities called kami that live all around us and impact daily life. Kami reside within everything … the trees and the wind, even your iPhone. “You have this belief system in which nearly anything can be a receptacle for a deity or a soul. And many of those kami are actually personifications,” says Matt Alt, “That world view … that belief system of polytheism and animism is the soil from which yokai emerged.”

Psyche: How to interpret historical analogies

Historical analogies can also be invaluable and enlightening, as long as we remain wary of those using them, and of their reasons. If we are conscientious about the past, we want to learn from it, pay respect to our predecessors, and derive proper lessons from how they might have dealt with their own challenges and hard times. One of the intuitive ways we react to a confusing, frightening present is to reach back into the history we know to find ways to render the current moment legible. All this is normal and natural. [...]

Historical analogies are not the same as historical comparisons. A comparison might be more direct or straightforward, between two events that are inherently similar. Natural disasters such as earthquakes can happen at varying moments in history and aren’t necessarily dependent on human activity. But they will interact differently with society given changing social circumstances, political leadership and economic development. In that sense, a hurricane ravaging a medieval landscape will be different from the exact same-sized and same-speed hurricane hitting a modern city. We will be comparing between the effects of, and response to, an otherwise similar pair of events. (Of course, we can also compare between the frequency and strength of hurricanes today and those of hurricanes in the past, establishing a link between natural disasters and anthropogenic global warming.) Likewise, when the COVID-19 pandemic spread around the world, the influenza pandemic of 1918 emerged as a tool to help us think through the challenge. The diseases are different, but the human body is pretty much the same, and pandemics, by their nature, have repetitive features. A comparison between the two health crises will focus on the changes in the world – and perhaps specifically in public health policy – that have taken place over the past century. [....]

So historical analogies, done in good faith, can make crucial points about the present and help to clarify where we stand on moral and political issues. The problem begins when we begin to substitute historical analogies for historical analysis – or, even more problematically, when we come to believe that history ‘repeats itself’. This sort of cliché has become a bane of our public discourse, especially regarding the sorry state of the US. [...]

We need to recognise the limitation of all analogising from the past. History does not repeat itself; and this means that everything that happens is new in some fundamental way. Analogies are good in so far as they are useful in helping us begin to think historically, rather than trying to formally define whether, for instance, Trump, or Bolsonaro, or Modi, or Benjamin Netanyahu in Israel, are fascists. If we came to the conclusion that these current-day wannabe autocrats are not fascists, would that mean that the imperative to seek out better leadership would become less urgent? If we conclude that they are fascists, would that make a real difference in terms of how people experience this era or what we can do? In all likelihood, the necessary political action remains the same, either way. Thinking historically is not about finding discrete past events that might resemble things happening today, but rather trying to understand how the world came to be what it is – and how it could be different.

UnHerd: How the Dutch invented our world

In recent years, however, bourgeois revolution has gone out of fashion and subjected to revisionist critique wishing to consign it to the dustbin of history. Part of what underlines this dismissiveness is a rather childish unwillingness to credit capitalism, and by extension, the bourgeoisie and liberalism, with any positive contribution to human development. The assumption is that because the bourgeoisie has been reactionary for so long, therefore it has never played a historically revolutionary role; because capitalism is now senile and decadent therefore it has never been historically progressive; because liberalism is now servile therefore it has never been emancipatory. None of which is true.[...]

For the likes of Goethe it was the struggle for liberty that made the Dutch revolt a subject of fascination, and his play in turn inspired Beethoven to compose Egmont. Friedrich Schiller, in his history of the Dutch revolt, extolled the “spirit of independence” of the Dutch people in their liberation struggle against the Habsburg Empire. [...]

The revolt was about religion but it was also about money, and the right of the bourgeois to make it. As Pepijn Brandon has argued, the revolt unconsciously, yet effectively, facilitated capitalist development, with Church lands confiscated and turned into large-scale commercial exploitation, and the political influence of the nobility and Catholic clergyman diminished. On top of this, the merchant class had way more control over state power where commercial interests usurped dynastic warfare.[...]

Because of this he was a firm defender of confessional toleration, the idea that state had no business concerning itself with the private beliefs of citizens no matter how heretical, unorthodox, crazy or immoral they seemed. Unlike his English contemporary John Locke (they were born just three months apart), Spinoza made no “special exceptions” for who did not deserve tolerance: Catholics, Protestants, Jews and atheists were all to be tolerated alike.

26 July 2020

Freakonomics: The Pros and Cons of Reparations

Most Americans agree that racial discrimination has been, and remains, a big problem. But that is where the agreement ends.

Aeon: Nostalgia reimagined

With these clarifications in mind, let’s re-evaluate the tripartite view of nostalgia, beginning with its cognitive component. According to this view, nostalgia involves autobiographical memories of one’s homeland, suggesting that the object of one’s nostalgic states must be a place. However, research shows that by ‘homeland’ people often mean something else: childhood experiences, long-gone friends, foods, costumes, etc. Indeed, the multifarious nature of nostalgia’s objects was first systematically studied in 1995 by the American psychologist Krystine Batcho. She documented 648 participants’ nostalgic events, and found that, while they often reported feeling nostalgic about places, they also felt so about nonspatial items: loved ones, the feeling of ‘not having to worry’, holidays, or simply ‘the way people were’. Similarly, in 2006, the psychologist Tim Wildschut and his colleagues at the University of Southampton coded the content of 42 autobiographical narratives from Nostalgia magazine, as well as dozens of narratives from undergraduates, and found that a large proportion were about things other than locations. This variability holds across cultures too, as evidenced by the work of Erica Hepper and her international team who in 2014 studied 1,704 students from 18 countries and found that they frequently experienced nostalgia about things other than past events or places, including social relationships, memorabilia or childhood. These results suggest that mental states associated with nostalgia needn’t be memories of specific locations nor of specific autobiographical events. [...]

Although memory and imagination are usually thought of as different, a number of critical findings in the past three decades have challenged this view. In 1985, the psychologist Endel Tulving in Toronto observed that his amnesic patient ‘N N’ not only had difficulty remembering his past: he also had trouble imagining possible future events. This led Tulving to suggest that remembering the past and imagining the future were two processes of a single system for mental time-travel. Further support for this hypothesis came in the early 2000s, as a number of scientific studies confirmed that both remembering the past and imagining the future engage the brain’s so-called ‘default network’. But in the past decade, it has become clear that the brain’s default network supports mental simulations of other hypothetical events too, such as episodes that could have occurred in one’s past but didn’t, atemporal routine activities (eg, brushing teeth), mind-wandering, spatial navigation, imagining other people’s thoughts (mentalising) and narrative comprehension, among others. As a result, researchers now think that what unifies this common neural network isn’t just mental time-travel, but rather a more general kind of psychological process characterised by being self-relevant, socially significant and episodically, dynamically imaginative. My suggestion is that the kinds of nonautobiographical cognitive contents associated with nostalgic states are instances of this broader category of imaginations. [...]

But what about all these negatively valenced symptoms – the sadness, the depression – associated with nostalgia? Aren’t they also effects of nostalgia? My sense is that physicians of old got the order of causation backwards: nostalgia doesn’t cause negative affect but, rather, is caused by negative affect. Evidence for this claim comes from a number of recent studies showing that people are more likely to feel nostalgia when they are experiencing negative affect. Specifically, it has been documented that certain negative experiences tend to trigger nostalgia, including loneliness, loss of social connections, sense of meaninglessness, boredom, even cold temperatures. This doesn’t mean that nostalgia is triggered only by negative experiences, but it does suggest that the negative affect can often be a cause, rather than an effect, of nostalgia. [...]

A more tractable version of this second reading was championed by Charles Zwingmann’s medical analysis of nostalgia in 1960, according to which what the subject wants is for gratifying features from past experiences to be reinstated in the present, presumably because the current situation lacks them. Although a person might feel nostalgia about a childhood friendship, her longing would actually be satisfied not by travelling back in time but by improving her current relationships. There are two advantages to this approach. First, it helps to understand nostalgia’s particular instantiation of Gorgias’ paradox: the nostalgic individual wrongly attributes the desirable features of the object to an unrecoverable event, when in reality those features can be dissociated from it and reattached to a current condition. Second, this approach can help to understand recent findings suggesting that nostalgia can be motivational, and can increase optimism, creativity and pro-social behaviours.