This assertion was so off the mark that the American ambassador at the time, Samantha Power, described it as patently false. She would later assert that violence and discrimination based on sexual orientation and gender identity are “well established,” and have been referred to repeatedly in UN statements and resolutions, including in the General Assembly and Security Council. “In reality, this amendment has little to do with questions around the definition of sexual orientation and gender identity,” she said. “Instead, this amendment is rooted in a real disagreement over whether people of a certain sexual orientation and gender identity are, in fact, entitled to equal rights.”
During my presentation, I posed the same question to the scholars and participants in the room that Botswana, on behalf of the African group of nations, had posed to the UN General Assembly: “Should sexual orientation and gender identity be included in broader issues of human rights concerns?” Then I gave them the unsatisfying response that Botswana’s ambassador, Charles Thembani Ntwaagae, gave to the UN: “Those two notions are not, and should not be, linked to existing international human rights instruments.” [...]
His words give me hope. And back home in Nigeria I am filled with hope when a leading Nigerian online publication, Pulse.ng, calls out Nollywood, our robust film industry, opining that the ‘representation of homosexuality in most Nollywood movies is at best a caricature attempt at bad comedy.’ I have to admit that I used to be of the mindset that, even if it is a poor depiction, at least there is one, especially since many habitually say we gay people do not exist in Nigeria, and in all the years that Nollywood has been churning out films – movies that are sought after all over the continent – we have rarely been seen. But the depiction of Nigerian gay men as bearded effeminates sporting bright red lipstick and making exaggerated arm movements is not funny, nor is it remotely the norm, and I now feel that if Nollywood is going to depict us, then they had better do it right. We are not going to be the butt of their jokes. And clearly the editors at Pulse don’t recognize the caricatures on screen either.
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