3 October 2016

Vox: Junot Díaz on political art and the immigrant as Sauron

By white supremacy, we don’t mean people with hoods. We mean the ideological hegemonic system that operates transnationally, globally, etc., etc. Immediately, you’re a figure that is going to signal for people inside the status quo world that you’re a political entity, you’re a political configuration, because you’re just automatically not status quo.

Today, it always seems that we’re in a perpetual moment of crisis. The great gift of the neoliberal order is that we are perpetually in a state of emergency. The state of emergency is the default. And that’s incredibly helpful for our utterly corrupt and debauched elites. It’s wonderful that we’re always thinking apocalyptically and thinking as if time and spaces of deliberation are against us. [...]

I love how people draw the lines of ideals on the backs of immigrants. And in this way, many people on the left are aligned with people on the right. Where the right has drawn a line across their values — a distinct line that the right has drawn on the backs of immigrants — many folks on the left are doing the same old bullshit. And they’re like, "Oh, I have to stand on my principles." I notice how your principles help in furthering this ideology of fucking up immigrant communities. [...]

For me, when I was living in that kind of environment, where I was being taught not to see, where I was being taught, "Don’t see that this country wants to practice racism but wants to pretend it doesn’t exist. Don’t see that this country lives absolutely on immigrants but wants to hate them and say they’re lazy. Don’t see these things" — what was useful for me is that when I would read science fiction and fantasy, they would provide me a parallax view. Because I was acquiring the blindness. You’re seeing it as it’s coming on to you, but it’s coming on to you. You’re acquiring it even as you’re realizing the danger of it.

No comments:

Post a Comment