Many of the houses in Anghel’s collection are designed by Marcel Janco, one of the founders of the Dadaist art movement. Janco and his Romanian contemporaries trained in Zurich, Paris, and Vienna before bringing International Style back home to Bucharest. Their repertoire is simple: flat roofs, layered cuboid shapes, porthole windows, glass brick, rounded corners. Some of the houses incorporate more traditional or art deco features. But generally speaking, their clean contours turn their back to the flourishes of Art-Nouveau; their stripped down lightness contrasts with the heavy neo-Romanian and neo-gothic style of the buildings that nestle side by side on central Bucharest’s streets.
Much of the modernist architecture in Bucharest, however, differs from the other, similar movements sweeping Europe at the same time. In Vienna, Berlin, and Frankfurt, the International Style was not purely an aesthetic concern, but a political project. Many of the era’s leading architects were motivated by the idea that beautiful housing should be open to the working classes as well as the rich. Aesthetics and politics were inextricably linked. They built functional, affordable, bright, large-scale social housing. In contrast, Romanian architects mostly served private clients. Janco and others returned from Western Europe to find Bucharest a fertile ground for their aesthetic projects: the capital’s educated urban elite were infatuated with modernism and commissioned the architects to design small residential blocks and private villas. [...]
Their opaque legal status explains the buildings’ wounds and exposed brickwork: many of the structures are now crumbling. Anghel says he doesn’t know anyone who lives in these houses due to their architectural merit. The people who care about these modernist structures can’t afford to buy them. Even listing these homes as architecturally valuable (as many already are) can’t save them, as it makes restoration an expensive business. There are those among Bucharest’s political and business elite who are simply waiting for these buildings to collapse, so that they can use the valuable land beneath to build bigger, more lucrative apartment blocks, Anghel tells me.
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