20 August 2017

Vox: I've studied the history of Confederate memorials. Here's what to do about them.

But the story of the monuments is even stranger than many people realize. Few if any of the monuments went through any of the approval procedures that we now commonly apply to public art. Typically, groups like the United Daughters of the Confederacy (UDC), which claimed to represent local community sentiment (whether they did or did not), funded, erected, and dedicated the monuments. As a consequence, contemporaries, especially African Americans, who objected to the erection of monuments had no realistic opportunity to voice their opposition. [...]

A smaller number of monuments, like the one recently toppled in Durham, were indeed funded with public money — but an asterisk must be attached to the word “public.” In 1922, Confederate veterans in Durham persuaded the state legislature to allocate $5,000 of county taxes to fund the monument. No one asked black residents, who were denied the right to vote by Jim Crow laws, whether they supported spending their tax dollars on this public, political statement. [...]

It is hardly coincidence that the cluttering of the state’s landscape with Confederate monuments coincided with two major national cultural projects: first, the “reconciliation” of the North and the South, and second, the imposition of Jim Crow and white supremacy in the South. As part of the process of national reconciliation, white Northerners agreed to tolerate the commemoration of Confederates, and they contributed both moral support and funds to the veneration of a few Confederate figures in particular, especially Robert E. Lee. [...]

During the dedication speech, Carr praised Confederate soldiers not just for their wartime valor but also for their defense “of the Anglo Saxon race during the four years after the war” when “their courage and steadfastness saved the very life of the Anglo Saxon race in the South.” The “four years after the war” was a clear reference to the period in which the Ku Klux Klan, a white paramilitary organization terrorized blacks and white Republicans who threatened the traditional white hierarchy in the state. Then he boasted that “one hundred yards from where we stand” — and within months of Lee’s 1865 surrender — “I horse whipped a negro wench until her skirts hung in shreds because she had maligned and insulted a Southern lady.”

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