The Spectator: Atheist and gay, Frederick the Great was more radical than most leaders today (3 October 2015)

After Frederick’s accession in 1740, he became, in his turn, the tormentor of the family. Although he did not imprison his wife like George I, he repeatedly humiliated ‘this incorrigibly sour subspecies of the female sex’, as he called her. They barely met. His nephew and heir, the future Frederick William II, wrote of him in 1780: ‘That animal is a right scourge of God, spat out of Hell on to earth by God’s wrath.

After his accession, in Blanning’s words Frederick ‘came out’. He spent most of his time far from prying eyes in Potsdam, south- west of Berlin, and enjoyed ‘intimate relations’ with young officers, as well as his first valet Fredersdorf. The king called him ‘du’ and he acted as an unofficial prime minister. Frederick commissioned a fresco of Ganymede and filled his parks with statues of Antinous or pairs of male lovers. His poems ‘The Orgasm’ and ‘Palladion’, the first written for his handsome Italian favourite Count Algarotti, praise ‘glorious heroes, responding both actively and passively to their lithe and obliging friends’.

Blanning emphasises the luxury and grandeur of the court of Prussia. Berlin had one of the largest city palaces in Europe and was surrounded by at least 20 country palaces for the monarch and the ruling family — many more than Vienna. Frederick II extended Charlottenburg, built Sans Souci, and the 638-room Neues Palais in Potsdam and bought a new palace in Breslau, capital of Silesia, in which he installed a throne room. On campaign he shared his troops’ hardships: they loved him. In peacetime, he amassed magnificent collections of pictures, sculptures, jewelled rings and snuff boxes. Frederick’s greenhouses were as luxurious as his gilded rococo bedrooms and music rooms. He built the Berlin opera and founded the Berlin porcelain factory. [...]

Like the recent books of John Röhl on Wilhelm II and Jonathan Steinberg on Bismarck, Blanning shows that Prussia had a court society and culture — a ‘deep state’ not always visible on the surface. If more diaries and memoirs, such as those of Count Lehndorff and Hildegard von Spitzemberg, or the journalism of Alfred Kerr (father of the children’s author Judith Kerr) were translated, they would help us understand the driving force of the country which, before the self-inflicted cataclysm of 1914, was the powerhouse of Europe.

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